a doorway leading . . . nowhere

(I often use reverse pages for unrelated note taking)

On one of our recent drives in the country we came across the original site of Baylor University in the tiny township of Independence, Texas. Founded as a co-educational campus in 1846, male and female students were separated by a creek, nicknamed by male students as the "River Jordan". This old stone doorway is in a restored column front of what used to be Baylor's female building:

I'm using Uniball Signo gel pens, size .28, .38, and .5

two pill-box palettes

Recently I posted about choosing a 5-color limited palette to fill this 6-compartment plastic pill box. Using a watercolor postcard, I painted a color chart to get familiar with how the pigments work together --- several of the colors are leftover paints I do not use regularly. The colors are listed on the card; click on photo to enlarge. I combined 2 colors each in the red and brown compartments.

The smaller box holds 5 half-pans in the 5 colors I originally decided on: quinacridone red, quin. gold, cerulean, ultramarine, and burnt umber. This tiny box stays in my purse for sketching "emergencies".

downtown Brenham

Downtown Brenham, Texas is a National Register District. Graceful old buildings keep their historic style both inside and out --- great place to take a walk! Most buildings have plaques on the outside, telling a bit about it's history. Old buildings are re-purposed for modern businesses yet maintain their old-fashioned character. And there is even  free internet!

We pass this building often when we drive to town; it is currently undergoing a renovation.

art toys waiting to be played with

While hunting down spring wildflowers to sketch in the wee Nideggen sketchbook, I have been sadly neglecting my regular art journal.

Moving to a new state, fixing up our new home, and getting used to a full-time retired husband being around means being too distracted to keep up with regular art time. And not sketching on a regular basis has lead to a lack of confidence in being able to do so.

This wooden basket sits nearby, filled with art tools. I think it's once again time to take up Brenda Swenson's 75-day ink sketch challenge. There's nothing like  doing a daily drawing with ink (no pencil first) to renew one's abilities and sheer joy of drawing.

sketching in church

Fiddling around with a pencil during Sunday school . . . .

yet more spring wildflowers

the spiderwort is growing in our own yard, though shorter

The huge explosion of Springtime wildflowers is just about over here in central Texas. I didn't capture them all in my wee sketchbook, but I've had fun trying. There are lots of pages left to maybe sketch summer and autumn wildflowers as well.

both of these are in our yard as well

took me a while to identify the sage

LOTS of pale pink primrose around, blooming all day, not just evening

haven't identified the two on the right

both of these spotted from moving car, just coming into bloom now

pill box palette

After deciding on what my best 5 watercolors are, to fill this pill box turned travel palette, I thought to myself "too predictable!" The 5 colors I chose are the same in most every travel palette I own. --- I had switched the quin. gold to some leftover transparent yellow, which can give a soft yellow or rich gold depending on how thickly applied.

So I decided to use up some paints I did not want anymore, that were just taking up space in plastic pans. I popped each out of the pans, put them in the compartments shown, and filled with water to soften and smooth the bits into the new space. (Some were in both half and whole sized pans)

The quin. violet, not a color I normally use, was sent to me by mistake; the company told me to keep it free of charge. With a warmer red in next to it, I have the option of both. Then I placed both burnt sienna and burnt umber side-by-side in another space.

And, just to be different, I grabbed the unused indanthrone (Schminke's dark blue indigo) instead of ultramarine. It makes surprisingly nice mixes! Some buff titanium added to the extra space and I have a totally different mix of colors, using up several paints I no longer wanted . . . that I now actually like!

5-color limited palette

Recently this pill container ceased to be used for vitamins . . . which started me thinking of its use a travel watercolor palette. About the same time, I read an on-line interview with artist Joseph Zbukvic in which he mentioned John Singer Sargent's using only 5 colors (I forget the name of the blog this was found on; the link was found on Facebook).

Zbukvic remembered Sargent using cadmium red, yellow ochre, ultramarine blue, and burnt sienna . . . plus a fifth color he could not remember. (Looking at Sargent's paintings as well as a bit of googling, I wonder if cerulean blue was the other color?)

The interviewer then asked which five colors Zbukvic would choose --- He chose cadmium red, cadmium yellow, cobalt turquoise, ultramarine, and burnt umber. So I began playing with these colors in an extra sketch pad.

I tend towards cooler, more transparent colors. So I tried putting together five colors I thought would make the cleanest mixes, staying away from "mud".

Many artists prefer burnt sienna over burnt umber; I have tried both and still prefer burnt umber. I know it can be mimicked by mixing burnt sienna and ultramarine, but a burnt sienna color can also be mixed by adding a bit of yellow and red to burnt umber. And I just like the rich, chocolatey color.

After a bit more playing, I decided on quinacridone red, quinacridone gold, cerulean blue, ultramarine, and burnt umber. The plastic pill box holds six, so next I played a bit on the left to see what that sixth color might be. Still not sure . . . I like the subtlety of using just the colors mixed on the color chart. Maybe leave the sixth space open for now.

more Texas wildflowers . . .

(Crow-poison drawn from a photo, as those in my yard are gone)

my favorite! especially scattered among bluebonnets

very papery petals, like regular poppies

the honeysuckle was an unexpected surprise in a wooded area

. . . and a random sketch, arriving too early at church.

Texas wildflowers

Texans make a very big deal out of their wildflowers. Families take yearly photos of their children sitting among the huge patches of  Texas Bluebonnets each spring.

My current sketchbook is "ink only" due to the handmade paper but wildflowers require color! So I grabbed this wee coptic-stitch sketchbook off my shelf -- it was made mostly with leftover Nideggen paper. About 3" square, I've been painting some of the spring wildflowers in it.

as usual, the first pages show a palette -- this one in a vintage Prang box

the Texas dandelion may actually be a Carolina false dandelion

the dewberry is tiny; the engelmann daisy is actually pretty large

not sure what the very tiny red-violet flowers are

This sketchbook also has a few pages made from leftover strips of Fabriano Tiziano, which I am using for some random sketching when this is the only sketchbook at hand.

I drew this Texas star during a homeowner's association board meeting. We attended the meeting to submit plans for Bill's new woodshop. It's pretty certain to be approved.

The fish sculpture below was also drawn during the meeting.

Following the meeting, we attended the Bluebonnet Festival in Chappell Hill. Then out to eat at Los Cabos, where this decorative lizard was climbing the wall near our table.