it’s about pear time

While recently walking in the south pasture with our Corgi, Butters, we noticed that the pears on the two pear trees are almost ripe. Soon we’ll be making pear butter and maybe some pear chutney.

I’ve always loved the mostly-ink Yorkshire landscapes of John Harrison’s, with a bit of watercolor in selected areas. I decided to try a similar style for this botanical, drawing with a Lumos pen from Tom’s Studio. The 0.5 fine liner tip is loaded with De Atramentis Document Grey ink, full strength, and the brush tip has the same ink thinned with De Atramentis Dilution liquid for shadows on the branches.

Luna’s toys

I had forgotten how truly rambunctious a tiny kitten can be. When not eating or sleeping, Luna plays. With her kitty toys, dog toys, coasters, window blinds, a shoe, a rock tracked in by the shoe, postcards hung above my art table, used paper towel, fountain pens, pencils, erasers, paint brushes, a small water container left out for sketching, the elastic band on my sketchbook . . .

Kitty-proofing is a thing.

a new companion for Scottie

Since our 9 yr. old cat Bardie MacRuadh died unexpectedly in May, his brother Scottie Dubh has been a bit lost. Needing lots of reassurance and extra petting, he has continued to cry at night. After a lot of thought back and forth, I decided to get him a new feline buddy. He just wasn’t built for life as an only-cat.

Today we brought home Luna, a 3-month old Maine Coon kitten. Wary of each other at first, Scottie discovered that with Luna came new toys! He now happily accepts having a new baby sister.

Butters is totally ignoring the kitten and Luna, having never been around dogs before, is being extremely cautious before getting too close. But I’ve had Maine Coons before — I am sure that her outgoing, accepting nature will eventually overcome any reservations re: The Dog.

June’s last sketch

This final sketch for the month of June began in pencil, loosely drawn as Bill drove me to a dentist appointment. Later, I drew ink lines using the Elegant Writer 1.3 mm pen in my new Sendak Nutshell kit. For the border, I used a 2.5 mm pen. I erased the pencil lines then used a damp brush, allowing the ink to bleed a bit, and added just a touch of watercolor.

I saw this cattle egret following one of our donkeys from the north pasture around to the one on the east — wherever she wandered, the egret hopped quickly behind, gobbling up bugs that rose from the disturbed grasses.

sometimes ya feel like a nut . . .

An early birthday present arrived this week: a second Sendak Nutshell from Peg & Awl. Why two?

My first one is loaded with watercolor, gouache, tiny colored pencil leads (and lead holder), a white pencil, an Inktense pencil in “bark”, masking pen, and a fine liner for tiny sketches. Plus some washy tape and a masking remover.

The new one is for monochromatic sketching, something I’d like to explore more: graphite pencil, a gray blue watercolor pencil, water-soluble graphite pencils, a fine liner, Elegant Writer pen, a brush pen, and a Demi palette holding only French ultramarine and burnt sienna watercolors. Plus sharpener, an extra eraser for the Blackwing pencil, and a bit of kneaded eraser.

I typically carry at least one fountain pen with me, attached to a small Traveler’s Notebook, so that would be included with either tool kit.

relaxing with watercolor

Yesterday evening I set out to pay a few bills online. I pulled up a recording of a recent Zoom painting session on Patreon hosted by Natasha Newton, planning on just listening in. But instead found myself grabbing masking tape, watercolors, and brushes and joining in with the participants.

The bills got paid later.

random sketches & a recipe

Here, I was testing gouache and Pitt Artist brush pens on the paper that came with my card-size Traveler’s Notebook. Gouache seems to do better than watercolor; the marks made with the pens seemed uneven as if resisting the paper.

I drew the ingredients for sourdough granola as it was baking in the oven. This is the primary thing I make with the discard after baking bread. Recipe follows, if anyone is interested.

(I’m a bit loose with measurements . . . as in, I don’t!)

SOURDOUGH DISCARD GRANOLA

8 Tbsp butter, melted and slightly browned

scant 1/2 cup discard

1/4 cup honey (I use real maple syrup instead)

1 tsp. vanilla

1 tsp. salt

2 2/3 cup rolled oats

1 cup chopped nuts and coconut 

1 cup dried fruit

Brown butter in saucepan over med. heat a few minutes; let cool a bit.

Preheat oven 325°.

Mix butter, discard, honey, vanilla, and salt until completely mixed. Stir in oats, nuts, and coconut.

Spread on parchment paper lined baking sheet. Bake 20 minutes.

Turn with spatula, then bake 10 minutes more.

Let cool. Break up and stir in dried fruit.

a few smallish sketchbooks

Sketching inspiration still seems lacking. So I drew my smallish sketchbooks.

The necklaces came from Peg & Awl, the generic copy of a tiny Traveler’s Notebook from Amazon, the green open-spine from Etsy seller LkMichiganBookPress, and the tiny pink one was included in an order from British artist Andrea Joseph years ago.

And my Traveler’s Notebooks, passport size and card size (which doubles as my wallet). Each with a Kaweco Liliput fountain pen.

a simple garter stitch

A doctor once told me that knitting might strengthen my hands, giving me a bit more control over my benign tremor. I enjoy knitting but our warm, humid climate makes sweaters or afghans out of the question. So I’m knitting cotton dishcloths.

Just a simple ink & wash as I enjoy a mug of tea . . .

first sketches

The past month, my desire to sketch has been sporadic at best. Even with the initial excitement of my new tiny Traveler’s card-sized notebook which I now use as an ID and credit card wallet. But today I finally finished the first two pages.

Three of these were sketched from photos on my iPad taken during a 2015 family camping trip on Mustang Island. The ghost crab (of which there were multitudes!) was drawn from an online source. I used watercolor, followed by a touch of pen. Even though this is not watercolor paper, it actually worked quite well. Gouache would probably work even better.

This Demi Palette holds my version of Marc Taro Holmes’ Direct Watercolor palette done in collaboration with Art Toolkit years ago. The brush I use most for these tiny sketches is an Ooku round #2 travel brush, and the pen is a Uniball Signo DX 0.28 in brown black. The larger brush is a Rosemary & Co R26 #4 round.

When I decided to use the pages of this tiny notebook for tiny sketches, I made a lightweight card stencil to draw in the tiny blocks. It is easily tucked in to the notebook’s kraft paper pocket, and can also be used for larger one-per-page blocks.