a little Thanksgiving sketching

We had a low-key, relaxing Thanksgiving day at our daughter’s . . . where I did a little surreptitious pencil sketching. Then added ink and watercolor later at home.

palette testing

Two years ago, Bill gave me the “Grow Untamed” palette because I love the red case. But the six original colors seemed lacking without a red and a stronger blue (sky gouache is rather weak) so I added quin. magenta, ultramarine blue, turquoise, and transparent red oxide. But other than a few sketches, I haven’t really used the palette much.

So this week I’m really testing the paints, all but two of them from Letter Sparrow. After doing these sketchbook pages, I’ve decided that they act more like a creamy bright gouache than watercolors. If I approach sketches with this in mind, I might have better luck with them.

* As is my normal habit, as soon as this was posted I made a change: transparent red oxide was replaced for the less transparent burnt sienna to go along with the other near-gouache pigments.

another leaf

When I lived in Kansas, autumn was full of color. I filled sketchbook pages with leaves picked up while walking my dogs. Here, just west of the gulf, there isn’t much variation in leaf color and many trees hold on to their leaves until spring. So when I saw this colorful leaf, I just had to paint it.

currently inked pens

To check ink levels, I propped my currently filled pens in this old measuring glass. Then sketched it while waiting for gravity to work.

Going through some of our father’s things, my brother found a box of miscellaneous supplies from when he taught art or did photography. I’m not sure if this small glass held pencils or was used in the dark room. I cleaned it well and now use it in my kitchen — its bottom is surprisingly heavy.

I like to keep a pen filled for each of the colored inks I use: black, gray, brown, teal, dark green, and a “burnt sienna” (dark red) that I mixed.

a forgotten critter

I forgot to post this sketch of a cow skull seen on the wall of a Magnolia diner.

Sketched with a chunky fude-nib eyedropper fountain pen in my own mix of “burnt sienna” ink (De Atramentis Document red ink with a bit of black added) and painted with my “neutrals” palette. 

The plastic sheet clipped under the palette is from Traveler’s Notebook and protects the sketch beneath it as I work.

today’s project

My current sketch journal is almost filled — only 10 more pages after the sketch I’m working on today. I considered buying another one, but then remembered that a few months ago I found a long-forgotten stash of watercolor paper in my old steamer trunk.

Bill found this vintage trunk years ago and refurbished it for me, adding a new cedar tray inside. It’s where I store bookmaking supplies and other art stuff. Inside, I recently found some quarter sheets of Arches, Saunders Waterford, Hahnemuhle, plus a variety pack from Cheap Joe’s.

Today I folded and tore down the Arches rough WC paper to make a 5 1/2 x 7 1/2” landscape sketchbook. There were also 2 leftover 3” strips of Fabriano Artistico paper — these, I folded into a 3” square accordion book. Both are being pressed with antique irons. Now I need to dig deeper in the trunk to figure out what I can use for covers . . .

my palette collection

 

A follower on Instagram asked if I would do a post about my Art Toolkit palette collection, so I took photos of each of them this morning. Do I need more than one watercolor palette? Of course not!

When we downsized 10 years ago to an 800 square ft. living space, I gave away many things that I used to collect. Palettes are something I can collect and enjoy that take up very little space. Besides, it’s fun to put together various combinations (always subject to change 😂).

The 2 front pocket palettes in the first photo are the ones I’m currently using for autumn: one of neutrals/monochrome colors and one of granulating pigments. Behind those, there’s one I put together while reading John Harrison’s book, “Pen & Wash” — I like to try out other artists’ color choices as a learning tool. The red palette is the limited edition “Grow Untamed” set with 4 additional colors that I added to the original 6. I put together the turquoise “Texas gulf coast, prairies, & piney woods” after seeing Lisa Spangler set up something similar for a class she taught in Houston. This one gets used a lot!

Next are my Demi Palettes. I love this size especially for trying out limited palettes. From the upper left: the “Rainglow” fluorescent palette (not sure how to use these yet), the “Baby Cactus” set (2 pans have been temporarily moved to the Christmas palette), my “forest” set I like to take camping, the Christmas palette I just put together, and the limited edition CMYK palette.

Next are 2 Folio palettes: one for landscapes inspired by artist Sarah Burns and one of larger pans containing basic colors that lives on my art desk.

Lastly, 2 gouache palettes, which I’ve only played a bit with. The larger one with more colors stays on my art desk and the smaller one travels with me. Like my watercolor palettes, I place colors beginning in the front left in rainbow order, from cool reds to deep blue/purple followed by neutrals.

after playing fetch

Keeping it simple: I sketched this in blue (I keep blue lead in this mechanical pencil), then added a few ink lines. Our corgi, Butters, wears herself out fetching her favorite rubber ball . . . then is eager to play again after a short rest.

and the winner is . . .

After watching Lisa Spangler @sideoats do a short video mixing quinacridone magenta and peacock to get a near-blue, I decided to stick with this Christmas palette being most close to the @lettersparrow Holiday Hues palette. I already owned most of the colors in the collaboration palette but for those who don’t, I highly recommend ordering from Letter Sparrow!

(That’s a Christmas colored lap quilt in the background, sewn by my mother❣️)

which combo?

Lisa Spangler has a new collaboration with Letter Sparrow for a “Holiday Hues” palette of Christmas colors; I already own most of the Letter Sparrow colors included — all but the ruby red and pearl shimmer.

And Art Toolkit just released a bright red Demi Palette which I added to my collection. Just the color for a Christmas palette! But which combination do I go with? My pyrrol scarlet is close to ruby red and my grey of grey is sort of silvery. Or I can mix a ruby red color with quin. magenta and sunflower yellow, making room for a blue, which I would miss. Or skip the silver-like grey for both reds and a blue?