sourdough prep

Just a simple continuous contour line and wash sketch . . . preparing to make another loaf of sourdough bread. My kitchen scale looks a bit wonky.

Nameless, revisited

Learning that the distant building (in heavy shadow in the photo this was painted from) was a dogtrot cabin, I decided to correct it in the sketch. Then darkened the grasses behind the foreground flower. 

I had never heard of dogtrot cabins before moving to Texas, but I love the idea of them! Old ones can be found all over the area — some with only two rooms like this one and some four rooms or more. We’ve even found a two-story version, now an antique shop.

Nameless

We receive a monthly periodical from Texas Co-op Power full of interesting photos and articles of the area’s history. November’s issue included the photo that I painted this page from; the composition really caught my eye. 

The story is about a ghost town northwest of Austin called Nameless. In 1880 the growing community applied for a federal post office under the name of Fairview but the name was rejected because it was already in use. So were the five subsequent applications. After six rejections, the frustrated townsfolk replied “Let the post office be nameless and be damned!” The “name” was accepted.

I used watercolor, gouache, and a bit of colored pencil on this. Not sure I’m quite happy with the finished piece but it’s all a learning process.

✳️ UPDATE! Further reading about Nameless shows a complication in sketching from a photo a place where I’ve never actually been (the photo showed this area in shadow). The building in the distance in the sketch is actually a dog run structure, two rooms under the same roof with a breezeway between. Built in 1876 as a homestead to one of Nameless’ founding families, it was rediscovered in 2023 when the original site was being cleared for a subdivision. It has been relocated across the street to where Nameless’ restored schoolhouse stands.

a bit of organizing

I haven’t been doing much sketching lately, but I did manage to straighten up some art supplies into a more workable arrangement. Partly because I just bought a rotating caddy that keeps tools easy to grab. (HERE).

Bill made me the taboret on casters years ago when I used a matching smaller oak desk. The large flat items in the back are held by a napkin holder one of our kids made in high school. A box holding inks once held my grandfather’s type for his antique printing presses.

I started a sunflower sketch in my sketchbook over a week ago — left it to allow paint to dry and haven’t gotten back to it yet.

a bit of late autumn color

Just over the west fenceline there grows one tree with leaves that actually turn red in the autumn. At least, I thought it was a tree, being nearly 12’ tall. Apparently it is an oversized Red Chokeberry shrub.

(gouache and a touch of colored pencil on toned watercolor paper, hand sewn sketchbook)

tweaked yet again

One could say that I’m obsessed with the flexibility of these palettes. After using two separate pocket palettes in my mini Sendak, one watercolor and one gouache,  I decided that one large folio works better for me. But how to combine watercolor and gouache in a useable way?

This is what I came up with upon returning home from our camping trip yesterday. The watercolor pans are placed horizontally and gouache pans are vertical — all except that perylene black gouache but its placement was unavoidable. I’m trying to keep color groups together.

UPDATE: the Transparent Red Oxide watercolor was supposed to be a brownish color but it was too similar to the Venetian Red. So I replaced it with Lunar Earth. Being transparent, I was able to lift it with a wet stiff brush and tissue before applying the new paint choice.

while the wind blows

Here at the lake it became too cold and blustery to do much more than walk the dog halfway around the campsite. Interesting botanicals blew away; the herons, cranes, and pelicans flew for cover. So I sketched my Mini Sendak from Peg & Awl and tools. Which covers the first 2 challenges of Maria Cornell-Martin’s Nature Journaling challenge prompts. Not sure how many of them I will do but this one was fun — and my hands didn’t shake too much! (I have essential tremor which can make ink drawing wobbly.)

nighttime magic

There is definitely a positive side to the weird sleep patterns of getting older. We were both awake in the nighttime; Bill momentarily stepped out of the RV and saw this view over the lake. He took a photo for me to sketch.

an early morning view

The colors in the eastern sky yesterday morning were very subtle, but I somehow wish that I had emphasized them more in my sketch. This is from our campsite at Lake Somerville.

starting a new sketchbook journal

This week we are camping and I planned on beginning my new sketchbook when we arrived. But it was cold and Very Windy here next to the lake, so I sat inside the RV and painted this. (It’s supposed to warm up the rest of the week.) These pebbles are a combination of watercolor and gouache. I’ve been watching Natasha Newton swatching her colors in pebble form on YouTube — Love her style! 

This sketchbook is a Seawhite Travel Journal with 200 gsm cold-press watercolor paper that I pulled from my shelf. It’s been there so long that the elastic band was stretched out (how curious!) so I cut it off. Instead, I have a heavy stretch band that holds a pencil or pen. Don’t remember where it came from.