this week’s “adventure”

I’ve been a bit too distracted to sketch this week — except for one very long wait in a hospital waiting room where I did the above sketch (loosely interpreted leaving out a lot of the details). My husband went through a 5-hour lower back surgery, then we waited 2 more hours. Apparently there was an issue with another patient in the recovery room so we had to wait until he was taken to a room. The surgery was successful, he’s doing extremely well, and will be coming home tomorrow.

simplifying

While my other Folio palette now holds a standard sized pan of every granulating watercolor I currently own (30 of them!), I reconfigured this Folio for simplification. Both of the large palettes live on my art desk. I decided to try this one with just a limited palette in double pans arranged around mixing pans — similarly to how I arrange mini pans in a Demi palette.

As much as I love unusual pigments, it would make an interesting challenge to stick to only 9 colors. Two of those I included are new to me: cobalt blue and moonglow. Just giving them a try for now. Normally I would have cerulean blue chromium instead of cobalt blue.

From the lower left working around, the paints are quinacridone rose, hansa yellow medium, green apatite, cobalt blue, ultramarine blue, moonglow, monte amiata natural sienna, transparent red oxide, and burnt umber — all from Daniel Smith.

Here’s a look at my other Folio palette filled with granulating watercolors. I am not a paid representative for Art Toolkit, who makes these palettes — I just love their versatility and compactness! All sizes of pocket palettes can be found by clicking HERE.

more tiny sketches

A few tiny sketches, three of recent baking. The other one is a wall shelf Bill built me years ago that holds miscellaneous sketchbooks and papers ready to be filled — and my Irish tweed cap hanging on the top corner.

The peanut butter cookie is mom’s recipe, absolutely the best flavor! Just 1 cup natural peanut butter, 1 cup sugar, 1 egg, and 1 tsp. vanilla. Roll balls in sugar, cross with fork, and bake @ 350° for 12 minutes.

painting with Neocolor II crayons

Probably my final sketch of our granddaughter’s cow, Sierra — she goes to her new home tomorrow. Mikala raised the blue roan mix Short Horn during her senior year in high school and showed her at the Houston Livestock & Rodeo. Since then, she has lived on this wee farm with F.F.A. rescue goats and 2 rescue donkeys.

Recently we had some maintenance done on our RV by a man and his son, Jimmy, who owns a red-brown Short Horn and was immediately drawn to Sierra. He wants her to go with his other cow but also intends to breed her, something Mikala had always wanted for her but it just didn’t work out. So she is selling her to Jimmy. Sierra is very sociable and, though the goats and donkeys are companions, she gets excited when she hears other cows in the neighborhood. We all think she’ll be much happier with other cows and hopefully a calf or two of her own.

This is the second spread done in my little toned paper pocket sketchbook I made for doing nature studies. The first spread, seen in the last photo, is done from Art Toolkit’s workshop “Pollonators in Ink” (HERE) — worked in Pentel Pocketbrush pen and Neocolor II watercolor crayons. I have played with the crayons before, but never exclusively lifting color from them with a damp brush. Colors were even mixed in this way, touching the brush to 2 or 3 crayons before applying to paper.

(Those smudges are because I wrote the text with a fountain pen filled with water-soluble ink — then forgot that fact and laid my damp hand on the page.)

That’s our barn-house in the background, with 3 of the goats beyond Sierra.

last week’s frustrations

Last Wednesday I was dealing with several frustrations, two of which I jotted down on this sketchbook page. And felt so much better after I did! Everything turned out fine in the end, so I wasn’t even going to post it at first. But it’s a reminder to myself not to let frustrations win. Drawing is a much better use of my time.

Our son Jason came after school (he teaches physics) and got my ear pods sorted for me — it seems they were just trying to pair with my MacBook instead of my iPad. 

And Etsy got involved with the damaged gift — one look at the photos and they immediately refunded me themselves. Bill had picked out this antique churn without its tamper as a birthday gift, to be used to hold umbrella, cane, and walking stick. It arrived 3 weeks later than expected, smashed in transit due to the seller not packing it safely. All the way from Norway in only a bit of bubble wrap and brown paper, no box or carton!

a forgotten sketch

Today I was straightening up my art desk when, under some color swatch scraps of paper, I found this last mini ink sketch from last month’s camping trip, taped to a plastic card and forgotten. So I added a bit of color.

This makes a total of 27 tiny paintings I’ve done since starting the 100 Tiny Treasures challenge in March. I never planned on a full 100, but I may reach 50 by the end of the year. 

not sleeping

The past couple of years I have gone through a weird change in sleep habits. Most of my life I was a night owl, up late and sleeping in whenever I could. But my days and nights seem topsy-turvy now. Early to bed, reading only a chapter or two before conking out, then 2:00 or 3:00 a.m. finds me wide awake.

Butters the corgi wonders why I’m not in bed, asleep. She is NOT a morning person!

Unfortunately, I’m so tired during the days that I have not begun those two workshops that I recently won . . .

The background was sketched with the Lamy Safari and J. Herbin “Lie de The” ink. The double recliner was sketched with a Pentel Pocketbrush pen with brown ink.

what I’ve been reading

When I take a break from reading something really thought-provoking, I often sketch the book while thinking about the bits I’ve just read. Somehow that action tends to cement the thoughts, helping me to remember. My cat, Bardie Mac, tried to help me as I drew this, coming between me and the sketchbook many times.

This little ebook (also available as an actual book, HERE) or can be read free on Wayne’s website (HERE) has many things that I wish to remember. So encouraging for those who have experienced the love of the Father . . . and those who seek Him.

another folded pocket journal

It came as a complete shock when I was chosen as one of three winners in Art Toolkit’s recent Summer Workshop Giveaway! With my love of sketching bits of nature, one of the awarded workshops I chose is “Pollinators in Ink” with Robin Lee Carlson. Her recommended supply list included toned watercolor paper; my current journal has white paper so I decided to make a small pocket journal of toned paper for the workshop and for practicing the learned techniques in further nature studies.

The tutorial for making these pocket journals was presented by Texas artist Judith Dollar and Art Toolkit’s Maria Cornell-Martin last March. The original one shown in the video started with an 11 x 15” piece of paper; I increased this to about a 14 x 18” piece of heavy double-sided wrapping paper. The original journal had an accordion-fold insert of multi-media paper; for this toned paper, I sewed folded papers together using a Coptic stitch. 

The third photo shows the version I made last March, measuring 3 3/4 x 5 1/4”, next to the new one, which is 4 1/2 x 7”. The pocket in front is a great place to stash a Pocket Palette!

granulating pigments

The pocket palette that I have been using recently (in the upper right corner) held 14 granulating watercolors. But I remembered that I had others that are listed as granulating, some more so than others. Many were remaining pans of colors I no longer have tubes for; that quinacridone gold is one of 2 pans I still have of the original discontinued formula. Others are from small sample tubes.

I wondered if they would all fit in one folio palette — and they pretty much do! I left out hematite genuine (I’m not too crazy about it), bronzite genuine (which has a bit of sparkle to it), and a couple of experimental pans I mixed myself of pigments used in the Schminke Super Granulating line of paints.

The cobalt blue is new to me. The guy that taught me about watercolor included it in his palette of 12 colors. At the time, I used Cotman student grade paints and I didn’t see much difference between cobalt and ultramarine. This week I bought a small tube from Daniel Smith just to give it another try.

I think I’ll keep these stored in the folio pan, removing only those I want to use in smaller palettes for various projects. 

This color chart was also an exercise in precision for me. For several years, I have experienced a slight uncontrollable shaking in my dominate right hand. Not all the time and not predictable. Later this month, I’ll be seeing a doctor to try and figure out what it is. But for today, slowly painting out these rectangles was a good practice in keeping my hand steady. Sometimes concentrating helps.